Wednesday, March 4, 2015

Molly (the) Minx

Molly (the) Minx

Jennifer Serenity Prajadhikop, alias Molly Minx, (eventually) alias Serenity, is not quite the enigma she seems to want to be.   From the very beginning, it is clear that she wants to be taken seriously, and will do what it takes to become a star.  Molly Minx knows that she could be a star, with the prodding of the right lonely A&R man.  Our very first mention of her (“She wasn't a beauty, and her pitch was imperfect, but she had presence.”) is indicative of her drive despite imperfections.  The first time our protagonist, her ideal lonely A&R man, Tabachnik, interacts with her, she is a very charming businesswoman, sitting up very straight as if she wanted to impress someone (hint hint) and all smiles.  She is almost presenting herself, as if she were a product to be sold to Tabachnik.

To examine her actions in another very poignant part of the story would present an even more compelling argument.  SadJoe, a former flame of Molly’s, comes to LA to attempt to win back the affections of the singer.  However, Molly doesn’t seem to care about this grand display of love, and merely informs him that “ It doesn’t matter.  My name is Serenity now.”  The very last thing she tells this man whom she has convinced to believe in her for so long is “Go home, Joe.” She doesn’t refer to him by his childhood nickname because she doesn't care about that past anymore.  She has found her future, and because SadJoe isn't a part of it, Molly doesn't care about SadJoe.  

Now, one could argue that Tabachnik had changed her into this fame hungry (for lack of a better word) minx, and that argument is certainly valid.  One could argue that Molly was happy exactly where she was, and that Tabachnik lured her into this brave new world of sex, drugs, and rock n’ roll.  However, that just doesn't sound like the Molly who seems to want to sleep with Tabachnik.  This may sound pretty normal, but upon further consideration, why would Molly actually want to sleep with Tabachnik?  Even the man himself is surprised when Molly is so forward.  There is only one thing that the A&R man can offer Molly, and that is a gateway into the world of platinum selling albums and money, above all. We can be pretty much assured that as soon as Molly finds someone higher up who wants to make Molly an even bigger star, Tabachnik will be left in the dust.  

Finally (and this really takes some reading into), Molly the pro swindler that Tabachnik wishes he was.  The passage “Third-rate swindlers were doomed to serve as rubes for second-rate swindlers - unless they were lucky enough to get conned by a true pro” is just the plainest example of foreshadowing I’ve ever seen.  Tabachnick’s method for dealing with the “negotiations” with the Australian seem very clean cut: make the man think he has some control over the situation, and then snatch it all away.  Molly does the exact same thing to Tabachnik very soon after.  She makes him want her by using her body, and then she plays hard to get, making him assure her of how talented and wonderful she is before she'd even consider coming to L.A.  Molly Minx is the master conwoman that Tabachnik reveres before he even knows it.

Tuesday, February 24, 2015

Nature vs Man: The Bradbury Perspective

Ray Bradbury is well known for his attention to detail and his dystopian view of humanity's future.  The short story, Dark They Were and Golden Eyed, is absolutely no exception.  In the blurb preceding the story, the text is described as "a parable, illustrating the ways that people respond to the environments in which they find themselves."  This is the perfect way to introduce this text.  Bradbury's tale is a story of the inevitability of nature to reclaim its land, and how man is powerless to stop it.  


Harry Bittering’s journey is really a perfect example of the alpha male slowly being worn down by the environment around him. The three elements that really do this are fire, sun, and water, each a vital part of nature and each appearance of these three in the story represents a stage of Harry giving in to his new reality of being controlled by nature.  


From Cliffs Notes, "[Bradbury] employs sun, fire, and water imagery to describe the changes that occur on Mars. Fire imagery describes the changes that take place in the houses. The air "burns" them, warping the boards out of shape and making them no longer Earthmen's houses. The sun burns the Earthmen's skin almost black, and Bittering himself feels his flesh melt in the hot and liquid air. Water completes the process of change as Bittering lies in the Martian canal water, convinced that this water is eating his flesh away until only his skeleton will be left. He senses that eventually the water will continue its work, evoking a change upon him as it metamorphoses his skeleton. Finally, all the material trappings that are so important to Earthmen are shuffled off, transforming the Earthmen into Martians. The regeneration is complete." This quote excellently summarizes how the elements are unstoppable in their mission to turn these Earthlings to the Martians they truly became when they arrived on Mars. It is as though the planet itself has taken these new residents in under its wing to create a sort of forced evolution. It's really quite a caring planet.

Beyond the physical changes, their ideas and values change as well. Sure, they get thinner and taller, but they choose different names, beginning with the children, because their Earth names have no meaning to them now. They cast off their earthy possessions, moving up a hill to an old Martian villa, something Harry most likely would have balked at before, along with the other residents of Mars. The renaming of the old Martian landforms, to things like Roosevelt and Rockefeller, mean nothing to these people, because they are no longer of Earth. They reclaim the old names of Tirra and Pillan, words that mean nothing to you or me, but clearly feel wrong to the people in the story.


This story parallels many of Bradbury’s others in its references to the idea that nature will reclaim all when it comes to man.  Other stories invoke images of nature changing and warping man’s mind to believe that she knows best, and this is no exception.  Bittering is led, by the time he has been submerged in the water of Mars, to believe that it is perfectly alright that he is becoming something other than human. Upon reflection, maybe it is.  Bittering, upon entry into Mars, is no longer an Earthman.  He is only of Earth in his biology and physiology.  He is a Martian.  So why should he not become a Martian fully?